陈 鸢
* Myein *
Sculpture. 2026Resin, fiberglass, iron, wood, casing, acrylic, glass, plastic
Variable dimensions
Like a return, a reversal, a lingering presence
*Myein* signifies a sacred call for silence—an initiation rite. Etymologically, it denotes "closing"—closing the eyes, but above all, the mouth.
This work begins with moments of "stagnation," "wandering," these faint yet persistent, indescribable instantaneous perceptions, giving meaning back to the state of "inaction." In these seemingly empty gaps, life transcends the logic of production, seeking the possibility of inward return.
In the post-industrial era, the noise of machines gives way to the noise of communication; more information, more interaction, guarantees more production. The coercion of production manifests as the coercion of communication. And today's coercion of communication means we can neither close our eyes nor our mouths. This is a desecration of life. Life becomes mere survival. Only in rest, in stillness, can life truly concern itself, rather than becoming subservient to an external purpose.
Therefore, I want to make lingering possible, so that in moments of hesitation, something enduring might emerge.
像一种回归、折返、驻留。
Myein意味着神圣性地要求安静，落成仪式。在词源上表“闭合”。闭合眼睛，但首先是嘴。
创作从一些“停滞”、“徘徊”，这些微弱又固执的难以被叙述的瞬间感知开始，使“无为”的状态重新获得意义。在这些看似空白的间隙中，生命脱离了生产逻辑，去获取向内回归的可能性。
在后工业时代,机器的噪声让位于通信的噪声，更多的信息，更多的交际，保证带来更多的生产。生产强制表现为交际强制。而如今的交际强制意味着我们既不能闭上眼睛，也不能闭上嘴巴。这是对生命的亵渎。生命变成生存 。在停滞里，生命才能关乎生命本身，而不是从属于一个外在的目的。
我想让驻留成为可能，让在犹豫不决的时刻，可能会有一些持久的东西。
行为捕捉-